Georgia, a nation nestled between Europe and Asia, is making a bold statement: it wants to be the Hollywood of the Caucasus. But is this a realistic ambition or a controversial dream? With its stunning landscapes and diverse architecture, from medieval churches to modern brutalist blocks, Georgia has already captivated filmmakers worldwide.
The Cinematic Appeal of Georgia:
Georgia's cinematic appeal is undeniable. The capital, Tbilisi, provided a breathtaking backdrop for the high-speed car chase in F9, showcasing the city's iconic landmarks. The country's natural beauty and cultural heritage were featured in Apple TV's 'Drops of God', and its rugged terrain doubled for India in the Bollywood film 'Gunjan Saxena: The Kargil Girl'.
A Filmmaking Hub:
Tatia Bidzinashvili, director of Film in Georgia, believes the country is an ideal filming destination. Georgia's advantages include a rich history in filmmaking, dating back to the Soviet era, and a government-backed agency dedicated to attracting productions. The country offers robust financial incentives, experienced crews, and a one-stop service for location scouting and permits.
A Cinematic Paradise:
Irakli Makatsaria, a Georgian TV presenter and producer, highlights the country's diverse landscapes, from snowy mountains to sunny beaches, all within a few hours' drive. This versatility makes Georgia a filmmaker's paradise, catering to various production needs.
Political Challenges:
However, Georgia's cinematic ambitions face political hurdles. The government's recent shift towards authoritarianism under Irakli Kobakhidze has raised concerns. Human rights advocates accuse the government of stifling dissent and press freedom, with Reporters Without Borders ranking Georgia 114th in its 2025 World Press Freedom Index. Filmmakers like Anna Khazaradze acknowledge the challenges, stating that while Georgia is film-friendly, political instability and arrests of friends and colleagues are a harsh reality.
Controversial Production Support:
Bidzinashvili argues that the government's centralized approach is beneficial for filmmakers. She cites the filming of F9 in Tbilisi, where the city accommodated the production by shutting down a major avenue and restricting traffic in surrounding areas. This level of support is a double-edged sword, as it can facilitate large-scale productions but also raises questions about the government's control over the industry.
Borderline Productions:
Despite tensions with Russia, Georgia has facilitated productions near the border. Makatsaria shares how the Indian series 'Special Ops' filmed near the high-security immigration area of Tbilisi airport, showcasing the government's willingness to support productions in sensitive locations. This raises the question: is Georgia's eagerness to attract productions overshadowing potential security risks?
A Complex History on Screen:
Georgia's history with Russia continues to inspire films. The upcoming 'Young Stalin', co-produced by Britain and Georgia, explores the early years of Joseph Stalin, a native Georgian whose rule left a dark legacy. This project highlights how Georgia's complex past can be both a creative inspiration and a sensitive topic.
Social Issues on Film:
Interestingly, Georgia has hosted productions addressing polarizing social issues, even as LGBTQ+ films face distribution challenges within the country. The film 'Crossing', directed by Levan Akin, tells the story of a transgender woman, and while it was celebrated internationally, it struggled to find local distributors due to anti-LGBTQ+ sentiment.
A Versatile Filming Location:
Georgia has proven to be a versatile filming location, standing in for Iraqi Kurdistan in 'Girls of the Sun'. The country's private production companies offer comprehensive services, though finding large soundstages can be a challenge. Hollywood executives and directors may be drawn to Georgia's warm hospitality, historic villas, and delicious cuisine, but they might also encounter cultural and political complexities.
Controversial Hospitality:
Georgia's hospitality, while renowned, is not without its controversies. The country's warm welcome, symbolized by endless wine and new friendships, may appeal to some, but it also raises questions about the line between hospitality and control. As Georgia strives to become a filmmaking hub, it must navigate these complexities, ensuring that its cinematic dreams do not overshadow the realities on the ground.
What do you think? Is Georgia's ambition to become the Hollywood of the Caucasus a promising vision or a controversial endeavor? Share your thoughts in the comments below!
